Land Art

krzysztof wodiczko "Hiroshima" (1999)

Works Previously Listed

WEEK 2

Vivian Sky Rehburg, ‘Revisiting the Expanded Field’

Question: As Rehburg proposes to insert film and projection into Krauss’s Expanded field
under the justification that it has moved beyond a documentative aid, what does this
mean for other forms of documentation (i.e. Postcards, Artist Books, Photography, etc.)

WEEK 3

Anne Ellegood “Motley Efforts, sculpture’s ever expanding Field”

Question: With seemingly no limitations to sculpture as a practice, does the ideal way to experience a work by an artist rely on the context it is presented under? Is mastery of a craft not enough to constitute a work of art?

Research Topic

The Economics of Art: How Does Art Get Priced
or
How to Write about Art: Telling The Artist What The Work Is About

Research So Far!

Thompson, Donald N. The $12 Million Stuffed Shark : The Curious Economics of Contemporary Art and Auction Houses. London: Aurum, 2008. Print.

"The Price of Everything" Nathaniel Kahn 2018. Film

Degen, Natasha. The Market. London: Whitechapel Gallery, 2013. Print. Whitechapel : Documents of Contemporary Art Ser.

Earnest, Jarrett. What It Means to Write about Art : Interviews with Art Critics. New York, New York: David Zwirner, 2018. Print.

Let me know what I should look at next!

Rosalind Krauss ‘Medium & Specific Objects, Perpetual Inventory’

Question: How does applying a system of ‘rules’ to a practice enhance it?

Noah Harrison

WEEK 4?

The Pedestal Problem, Manuela Ammer, Sculpture Unlimited. 2011

Question: Does the pedistal serve to remove any semblance of utility from an object?

Anne Ellegood “Motley Efforts, sculpture’s ever expanding Field”

Question: With seemingly no limitations to sculpture as a practice, does the ideal way to experience a work by an artist rely on the context it is presented under? Is mastery of a craft not enough to constitute a work of art?